广州

英国国家剧院现场 戏王之王单元•奥赛罗(录影放映形式)

广州大剧院 实验剧场
2016.08.13 - 2016.09.24
时长:时长以现场为准
已过期

购票需知

英文对白,中文字幕

莎士比亚四大悲剧之一“移形”当代阿富汗战场

两大奥利弗奖得主同场飙戏

奥赛罗——戏剧舞台上最不幸的善人和最幸福的恶人

“一场扣人心弦、火力全开得演出:阿德里安•莱斯特和罗里•金奈尔演得极好。”

——《泰晤士报》

 

“机智、利落、清楚、深刻,是一部能够牢牢把人抓住的作品。”

——《每日电讯报》

 

“主帅啊,当心你会嫉妒,那是一只绿眼的妖魔,它惯于耍弄爪下的猎物。”

《奥赛罗》讲述的,是嫉妒的摧毁性力量:奥赛罗刚刚与比自己年轻很多的黛斯德莫娜新婚,就被派为将军。政敌伊阿古对奥赛罗的晋升怀恨在心,想挑拨他与妻子的关系,便告诉奥赛罗他的副官卡西欧与黛斯德莫娜有奸情,强烈的嫉妒之火在奥赛罗的心中燃起……

 

两大奥利弗奖得主“正邪对立”

这部英国国家剧院全新制作的莎翁名剧,由奥利弗奖得主阿德里安•莱斯特饰演奥赛罗;另一位奥利弗奖得主罗里•金奈尔(曾出演电影《最后的霍思曼》、《007:天幕落》)饰演双面反派伊阿古,本剧是他与导演尼古拉斯•希特纳继取得巨大成功的《哈姆雷特》之后的再度合作。

 

阿德里安•莱斯特出生于英国伯明翰,是牙买加移民后裔,莱斯特因其在BBC剧集《飞天大盗》(Hustle)中饰演的迈克尔•斯通而在英国出名。2007年,莱斯特为Channel 4拍摄了《帝国子民》。2008年,莱斯特出演BBC的电视剧《骨迹迷踪》(Bonekickers)。他因出演音乐剧《伙伴们》(Company)获得一座奥利佛奖。1991年,在全男版《皆大欢喜》中饰演了罗塞蒂一角,并获得Time Out奖。2003年,莱斯特在英国国家剧院演出了莎士比亚剧作《亨利五世》。

 

罗里•金奈尔1978年2月17日出生于英国伦敦,在007电影系列《量子危机》(Quantum of Solace)、《大破天幕杀机》(Skyfall)、《幽灵党》(Spectre)中都有出演。金奈尔曾多次与皇家莎士比亚剧院、英国国家剧院合作。2010年,他所饰演的哈姆雷特获得一致好评。2014年,由于他在《奥赛罗》(Othello)中的出色表现,获得了奥利弗奖最佳男演员奖。

 

什么是“英国国家剧院现场”?

“英国国家剧院现场”(National Theatre Live)是英国国家剧院自2009年开始的一个开创性项目,旨在通过放映的形式向英国以及全球呈现当今世界舞台上最优秀的作品。项目经由专业拍摄团队,对带观众的现场话剧演出进行录制,通过摇臂、滑轨、近景特写镜头,引领主视角拍摄,在后期制作中亦遵循严格的技术标准,营造身临其境的观感。简言之,就是通过银幕观看好的戏剧,把有限的优质戏剧资源以神奇的光影手段重现,延伸到你的面前。

 

著名话剧导演田沁鑫看后赞叹:“确实太震撼了,在观众都清楚《哈姆雷特》的故事的情况下,大家来看的就是演员的表演和内在,英国演员的传承使他们一代一代的走到了今天;NTLive的形式非常好,它可以让我们热爱戏剧的观众不出国门就能看到全世界最好的戏剧作品。” 本项目由中国国家话剧院与英国国家剧院联手打造。

 

------------------------英文-----------------------

National Theatre Live

Best Leading Men Series:Othello

Performance Time: 2016/8/13 (Sat.) 2:00pm; 9/24 (Sat.) 7:30pm;

Performance Venue: Experimental Theatre, Guangzhou Opera House

Price: 160

Performance Duration: 212min. (20min. interval included)

The National Theatre presents a major new production of William Shakespeare’s celebrated play about the destructive power of jealousy. Adrian Lester takes the title role, with Rory Kinnear as the duplicitous Iago.

Witty, agile, lucid and deeply felt.A gripping production.

--Daily Telegraph

A breathtaking show of emotional firepower. Adrian Lester and Rory Kinnear are superb.

--The Times

A high-class production.

--Guardian

The National Theatre presents a major new production of William Shakespeare’s celebrated play about the destructive power of jealousy.

Olivier Award-winning actor Adrian Lester (Henry V at the National Theatre, BBC’s Hustle) takes the title role.

Playing opposite him as the duplicitous Iago is fellow Olivier Award-winner Rory Kinnear (The Last of the Haussmans, James Bond: Skyfall), who is reunited with director Nicholas Hytner (Timon of Athens, One Man, Two Guvnors) following their acclaimed collaboration on the National Theatre’s recent production of Hamlet.

Othello, newly married to Desdemona – who is half his age – is appointed leader of a major military operation. Iago, passed over for promotion by Othello in favour of the young Cassio, persuades Othello that Cassio and Desdemona are having an affair.

What is NT Live?

‘It’s just a great way of making the play accessible,’ Cumberbatch said.

National Theatre Live launched in June 2009 with a broadcast of the National Theatre production of Phèdre with Helen Mirren. We've since broadcast more than twenty other productions live from the National Theatre, and on occasion other theatres in the UK and around the world.

Our broadcasts have now been experienced by over 3.5 million people in more than 1,100 venues around the world, including 550 in the UK alone. Past National Theatre broadcasts have included Danny Boyle’s Frankenstein with Benedict Cumberbatch and Jonny Lee Miller, War Horse, The Curious Incident of the Dog in the Night-Time, and Sam Mendes’ King Lear with Simon Russell Beale.

Broadcasts from other theatres include The Audience with Helen Mirren from the West End, Coriolanus with Tom Hiddleston from the Donmar Warehouse and A Streetcar Named Desire with Gillian Anderson from the Young Vic.

How does NT Live work?

Though each live broadcast is filmed in front of a live audience in the theatre, cameras are carefully positioned throughout the auditorium to ensure that cinema audiences get the 'best seat in the house' view of each production. Where these cameras are placed is different for each broadcast, to make sure that cinema audiences enjoy the best possible experience every time.

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