2019舞蹈演出季 北京当代芭蕾舞团 舞剧《风声鹤唳》

——王媛媛编舞作品，改编自林语堂先生同名小说

温馨提示：为保障观众的消费权益，购买池座（一层）、二层、三层门票的观众仅能凭票进入对应楼层，对号入座，严禁跨层入场。

演出介绍

大时代，小人物，聚焦苦难之下，最激荡人心的生活截面

这段中国抗战史和所有伟大运动的历史一样，铭刻在这一代的脑海和心里。五十年或一百年后，茶楼闲话和老太太聊天时会把几千个风飘弱絮的故事流传下来。风中的每一片叶子都是有心灵、有感情、有热望、有梦想的个人，每个人都一样重要。我们此处的任务是追溯战争对一个女人的影响，她也是千百万落叶之一……

 

舞剧《风声鹤唳》改编自林语堂的同名小说，编导王媛媛以小人物为切入点，反应的大时代与大的精神变迁，却是那个时期最激荡人心的生活截面。大时代种种惨不忍睹的景象已是风声鹤唳，而敏感的主人公对自己的爱情几度觉得草木皆兵，剧情将大时代描写得轰轰烈烈悲壮，又在这悲壮中加入载奔载欣的爱情，于是血雨腥风中的自我救赎与情感升华幻化为舞剧《风声鹤唳》。

 

作为一部“有舞蹈的戏剧，有台词的舞剧”，《风声鹤唳》亦是一部融合了文学、舞蹈、美术等艺术门类的”无界限“作品。演员们能舞能说，能跳能演。它强调不要拘泥于某一种艺术形式，艺术是相通的，是为了传递为了美而存在的。

在北京当代芭蕾舞团成立十周年之际，享有国际声誉的现代舞编导王媛媛创作舞剧《风声鹤唳》回望十年之路，这部充满正能量、赋予温度的舞台作品，集聚了主创团队的心血。舞剧《风声鹤唳》不仅有精神面貌上积极与健康，更有主题上的明亮与希望，对国家的情感升华，也是幕后创作者们借人物而救赎自我救赎更广大的国人的另一种探索。

 

宏大场面的制造，大场景和宏伟的大交响乐，充分展现人物心灵富于层层递进的效果，以及入微细致地塑造。本剧追求在中国美学系统中的新探索、新建构，来迎合时下人们的欣赏要求，和不断进步发展的美学标准。

主创团队

编剧/导演: 王媛媛

编剧/制作人：韩江

文学顾问：张可

音乐总监：杜薇 廖嘉伟

表演指导：张铭益 彭雯妮

视觉总监：谭韶远

灯光设计：陈侠吉

多媒体设计：刘淌

服装设计：王媛媛 德晶

造型设计：刘恋

音响设计：芦奕夫

 

王媛媛

中国享有国际声誉的现代舞、当代芭蕾编舞家。北京当代芭蕾舞团创始人，现任艺术总监、舞团团长。是当代在国际重要舞蹈比赛上赢得最多“编舞奖”的中国编导。

作品有芭蕾舞剧《大红灯笼高高挂》，合作电影作品《夜宴》并在此基础上改编为同名舞剧，为丹麦皇家芭蕾舞团创作的《The Color of Love》，以及众多具风格的当代舞蹈作品。王媛媛与国内创作团队共同建立了北京当代芭蕾舞团，连续推出了多部当代芭蕾作品，如《空间日记》《霾》、《棱镜》、《The Color of Love》、《拾穗者》、《无足鸟》、《惊梦》、《金瓶梅》和《野草》、《夜宴》、《夜莺与玫瑰》、《毒》等；由上海歌剧院委约创作的作品《早春二月》广获好评；改编自易卜生的晚期作品《海上夫人》，在首轮巡演就取得傲人票房成绩。

 

北京当代芭蕾舞团

北京当代芭蕾舞团是国内集当代芭蕾和现代舞的专业民营院团，自 2008 年建团以来，以其标志鲜明的个性及全新的美学观念，以作品风格和话题抢尽世界舞台艺术的风头，她代表了中国乃至世界的当代舞蹈艺术高水准，作品在欧美长期巡回演出，在世界各个主流剧院得到经久不息的掌声和赞美，到目前为止，已然是中国内地具国际声誉的职业艺术团。

 

 

 

 

 

2019 Dance Fastival

A Leaf in the Storm by Beijing Dance Theater

——Choreography by Wang Yuanyuan, For Dance and Stage of the Lin Yutang’s Novel

 

Like the history of all great movements, the history of the War to Resist Japanese Aggression is etched into the hearts and minds of this generation. In fifty or one hundred years, thousands of stories will surely continue to be passed on in people’s small talk. Each leaf in the storm is a person with a mind, feelings, passions, and dreams; each person is equally significant. Our task is to trace the impact of war on a woman: she is but one in millions of fallen leaves……”

 

A Leaf in the Storm is inspired by Lin Yutang’s novel of the same title. Choreographer Wang Yuanyuan takes as her point of departure the fate of ordinary people, and explores the vicissitudes of the times, and the spirit thereof in a vivid cross-section of the period in question. Against the backdrop of catastrophes and consternation, our sensitive protagonist finds herself constantly in fear even while in love. A tragic panorama is thus laced with a love story of yearning. Personal redemption amidst bloodbath collides and blends with sublimation of emotions in our presentation of A Leaf in the Storm.

 

Choreographer: Wang Yuanyuan

Producer: Han Jiang

Dramaturge: Zhang Ke

Acting Coach: Zhang Mingyi & Peng Wenni

Music Consultant: Du Wei& Liao Jiawei

Visual Director :Tan Shaoyuan

Light Design：Chen Xiaji

Costume Design: De Jing

 

WANG YUANYUAN

Born and raised in Beijing, Wang Yuanyuan is one of China’s leading modern dance choreographers, founder and artistic director of Beijing Dance Theater. She received degree of choreography from the Beijing Dance Academy, and furthered her studies at the prestigious California Institute of Art School of Dance in Los Angeles, where she completed a Master of Fine Arts in 2002. In 2015, she received her Honorary Fellowship from The Hong Kong Academy for Performing Arts (HKAPA).

 

Among her works are ballet version of Raise the Red Lantern, dance sequences for Tan Dun’s music in the film The Banquet, The Color of Love for the Royal Danish Ballet, etc. In 2008, Ms Wang founded the Beijing Dance Theater with veteran lighting designer Han Jiang and set designer Tan Shaoyuan. Their first creation - Diary of Empty Space - was premiered the same year, followed by Stirred from a Dream, Haze, Prism, The Color of Love, Marlet, Harvest, Golden Lotus which was commissioned by the Hong Kong Arts Festival in 2011, and Wild Grass, Hamlet, The Nightingale and the Rose, Poison commissioned by St. Pölten Festspielhaus in Austria, Early Spring commissioned by Shanghai Opera House, and her first theater play Henrik Ibsen’s late work The Lady from the Sea that received full house in every touring cites.

 

Beijing Dance Theater

Founded in 2008 and led by artistic director/choreographer Wang Yuanyuan, the Beijing Dance Theater (BDT) has graced China’s dance stage with quality productions. Collaborating with renowned directors, composers, and visual artists, the BDT continues to showcase contemporary Chinese stage art to the world in style.