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项目简介

展览名称:身边与世界
Nearby and Faraway

展览时间:2022.11.12-2023.3.12
Duration: November12, ,2022–March12, 2023

策展人:李涵 金秋野
Curators: LI Han,Jin Qiuye

艺术家:犬吠工作室 乔小刀 陈维 陆庆屹 罗宇杰 胡向前 黄河山 温凌
Artists: Atelier Bow-Wow, Qiao Xiaodao, Chen Wei, Lu Qingyi, Luo Yujie, Hu Xiangqian, Huang
Heshan, Wen Ling
特邀文献展:卷宗书店
Specially Invite: JUANZONG BOOKS

主办:山中天艺术中心·玄馆
Organizer: WindHArtCenter

地址:北京市朝阳区酒仙桥北路751艺术区北一门山中天艺术中心•玄馆
Add: North Gate 1,751Art Unit, Jiuxianqiao North Road, Chaoyang District, Beijing

 

身边与世界代表了生活的两极。
The nearby and the faraway represent the two poles of life.


身边是附近,是日常生活,它平淡无奇、日复一日,它是个人的、微观的、具体的;世界是远方,是大事件、热话题,它刺激、复杂,它是总体性的、宏观的、抽象的。
The nearby presents the neighborhood and daily life, which remains plain day after day. It is personal, micro, and concrete. The faraway refers to big events and hot topics, which can be intriguing and complex, as well as overarching, macro, and abstract.


现代人不可避免地生活在身边与世界的两极之中。一方面,互联网让我们更容易接触到世界的宏大丰富,感觉全球的热闹与我息息相关,于是日常生活被唾弃在一边,无关痛痒;另一方面,在真实的世界里,除了大人物和明星, 个体的思考和行为基本被忽略。在被互联网推向精彩的“世界”的同时,反而更加感到自己被世界抛弃,封装在庸庸碌碌的日常生活中。这造成了现代人普遍的无力和焦虑,生活与工作失去了目标和方向。
Modern people are inevitably at either of the two poles—the nearby and the faraway. On the one hand, the Internet gives us access to the world's magnificent richness, connecting us to the global hustle and bustle, so much so that our daily life is cast to an irrelevant side. On the other hand, in the real world, except for big figures and celebrities, individual thoughts and behaviors are basically ignored. In a word, while being pushed into the exciting virtual "world", we feel more abandoned by the world and encapsulated in the mediocrity of daily life. It has led to general powerlessness and anxiety among modern people, who lose their goals and directions in work and life.


特别是疫情造成的减速与隔离,让身边与世界的二元对立更加凸显。一方面是“走出去看看”的期待无限延期,一方面是碎片化的、未经证实的、情绪性的外部信息铺天盖地地涌来。人们似乎被困在熟悉而无味的身边环境,与远方和世界失去了关联。
In particular, the epidemic-related slowdown and isolation has accentuated the dichotomy between the nearby and the faraway. The expectation to “go out and see” is endlessly postponed, as fragmented, unverified, and emotional information from the outside world is flooding in. People seem to be trapped in their familiar and tasteless nearby, losing touch with the faraway places and the world.


我们认为重新发现身边和日常成为摆脱这种困扰的方法。泛泛的宏大的世界对个体没有意义。我们需要从个体经验出发,逐渐建立起跟自己有密切关联的世界。通过这样的方法,我们希望打破只有身边和世界这样的二分,而是存在无数个【身边世界】,作为具体与抽象,个体与总体,微观和宏观的中介。
We believe that rediscovering the nearby and everyday life becomes a way out of the dilemma. The generalized macrocosm is meaningless for the individual. We need to start from individual experience and gradually build up a world that is closely related to ourselves. By doing so, we hope to break the dichotomy of the nearby and the faraway and believe there are countless [nearby worlds] that serve as intermediaries between the concrete and the abstract, the individual and the collective, the micro and the macro.


同时我们也要警醒这样的方法带来的自我中心、封闭、狭隘。把个人的“身边”无限推演成一个同质的世界。本次展览期待探讨把“身边”作为路径,开拓属于自己,也属于更广泛群体的中观世界。在这个中观世界里,个人与世界可以建立起真正的息息相关、共鸣自洽的关系。
At the same time, we need to be alert to the egoism, closedness and narrow-mindedness that such an approach brings and not reduce the nearby individual to the homogeneous. This exhibition is devoted to exploring the “nearby” as a path leading to a middling world that belongs to oneself and to the wider community. In this middling world, individuals and the world can establish a truly relevant, resonant, and self-contained relationship.


本次展览邀请8位来自不同背景的创作者,围绕4条路径(建构、行为、图景、叙事)来探索身边与世界的关系,呈现丰富多样的【身边世界】。每条路径上,2位创作者通过各自的作品,形成类比关系,由此呈现同一路径的相似与不同、必然与可能。我们希望探讨一种人人可以使用的方法,同时希望看到同样的方法、同样的路径可以产生不同的思考和多样的成果,而不是一个标准产品。
With this exhibition, we have invited eight artists of different backgrounds to explore the relationship between the nearby and the faraway, around four pathways of construction, performance, landscape, and narrative, to present a rich and diverse nearby world. In each pathway, two artists form an analogous relationship through their works, thus presenting the similar and the different, the inevitable and the possible. We hope to explore a method that is applicable to all. Meanwhile, we hope that a method or pathway can produce different thoughts and diverse results, rather than a standard product.


身边由此成为世界的基石。
In this way, the nearby becomes the cornerstone of the world.
—— 李涵 / 金秋野
— Li Han / Jin Qiuye

 

【策展人简介】

李涵

绘造社主持人,国家一级注册建筑师。毕业于中央美术学院和皇家墨尔本理工大学。其作品曾参加第4届芝加哥建筑双年展、第16届威尼斯建筑双年展中国馆和日本馆主题展、第7届深港城市/建筑双城双年展等展览;并被纽约现代艺术博物馆、旧金山现代艺术博物馆、芝加哥艺术博物馆、悉尼白兔美术馆、澳门艺术博物馆、深圳坪山美术馆、及北京山中天艺术中心收藏。著有《一点儿北京》、《一点儿北京·大栅栏》、《The Joy of Architectural Drawing》、《胡同蘑菇》和《楼房花朵》。译有《新兴建构图集》。

 

金秋野


北京建筑大学教授,建筑师,学者和建筑评论家。“金秋野建筑工作室”创始人。研究领域包括居室与生活空间设计;园林与传统设计语言的现代转译;当代建筑师及作品;复杂城市系统及其活力等。著有《花园里的花园》、《异物感》等学术著作,主持《当代中国建筑思想评论丛书》、《中国建筑与城市评论读本》等系列出版物,也是《光辉城市》、《透明性》等理论专著的译者。与王欣联合主编《乌有园》系列丛书。

 

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