购票需知
限购说明 | 每单限购6张 | 座位类型 | 请按门票对应座位,有序对号入座 |
儿童入场提示 | 1.2米以上凭票入场,1.2米以下谢绝入场 | 禁止携带物品 | 食品、饮料、相机、充电宝、打火机等 |
其他说明 | 售出的所有实体票票面价为卖家拿票的折后价格,票档对应的座位区域不会有影响。 | 实体票 | 本项目支持凭实体票入场,支持以下取票方式: - 快递配送:运费10元(V4及以上会员包邮),顺丰发货。 - 现场取票:票牛工作人员将在演出开场前1小时至现场派票。工作人员联系方式、具体取票地点将在演出当天以短信通知发送至预留的手机号。 |
项目简介
演出时长:150分钟(含中场休息20分钟)
演出类别:音乐剧
演出时间:2023年10月11日至10月15日每日
2023年10月14日至10月15日每日(总计7场)
演出票价:1080元、880元、680元、480元、280元、180元
演出地点:上音歌剧院·歌剧厅
1)演出介绍
不同于电影,音乐剧《泰坦尼克号》(Titanic the Musical)取材于这艘传奇巨轮上的真实人物,是一部令人惊叹且激动人心的作品,为了致敬1912年泰坦尼克事件,音乐剧里的每个名字皆为当年真实乘客姓名。剧情着重于描述历史事件中每一位大小人物的命运及故事,透过情节及音乐,呈现出不同阶级的乘客们,在面对悲剧时,仍然展现出的人性光辉。
1912 年 4 月 14 日的最后几个小时,泰坦尼克号在从南安普敦驶向纽约的首航中与冰山相撞“永不沉没的船”慢慢沉没。这是 20 世纪最悲惨的灾难之一,1517 名男子、妇女和儿童丧生。
音乐剧的故事里没有穷画家杰克和贵族女露丝的爱情传奇,但却捕捉到了历史真实的轨迹,聚焦至暗时刻每一个大小人物的悲喜命运:希望财富和权势生生不息的头等舱百万富翁们、渴望加入上流社会的二等舱乘客、怀揣“美国梦”的三等舱乘客......再现了巨轮上不同阶级的乘客和船员们在面临灾难时各自的命运和结局,以及他们身上所展现的人性光辉。
该剧于百老汇首演,自从1997年推出遍轰动全球,成功斩获了包括最佳音乐剧、最佳音乐剧剧本、最佳配乐、最佳编曲及最佳舞美设计等在内的五项托尼奖(Tony Award),戏剧桌奖(Drama Desk Awards)杰出编曲奖、格莱美奖(Grammy Awards)最佳音乐剧专辑提名,媒体和观众们的如潮好评。
今年为了庆祝伦敦版演出10周年,特地重启制作并展开全球限定期间巡演,此轮巡演卡司为难得一见的25名演员大编制,负责演绎126位小大人物,其中包含8位伦敦首演卡司,17位常驻伦敦西区之优秀演员,搭配现场乐手,高水平的巡演制作,撼动人心的动人歌曲从不同角度,多故事线,细致捕捉历史,唱响不朽生命之歌。时隔3年二登中国开启全国巡演,期待相约剧院再次见证史诗巨作!
About show description:
Unlike the movie, the musical "Titanic the Musical" is based on real people aboard the legendary ship, and is a stunning and thrilling work that pays tribute to the Titanic disaster of 1912. Each character in the musical is named after a real passenger from that year. The story focuses on describing the fate and stories of each small and large character in the historical event, and through the plot and music, presents the human glory of the passengers from different classes when facing tragedy.
In the last few hours of April 14, 1912, the Titanic slowly sank after colliding with an iceberg during its maiden voyage from Southampton to New York. This was one of the most tragic disasters of the 20th century, with 1,517 men, women, and children losing their lives.
The story of the musical does not feature the love legend of poor artist Jack and aristocratic woman Rose, but captures the real trajectory of history, focusing on the fate of each small and large character during the darkest moments: the first-class millionaires who hoped for wealth and power to continue, the second-class passengers who wanted to join the upper class society, and the third-class passengers who carried the "American Dream" ... The musical reproduces the fate and endings of passengers and crew members from different classes on the giant ship when facing disaster, as well as the human glory they displayed.
The show premiered on Broadway and has been a global sensation since its release in 1997, winning five Tony Awards, including Best Musical, Best Book of a Musical, Best Original Score, Best Orchestrations, and Best Scenic Design, as well as a Drama Desk Award for Outstanding Orchestrations and a Grammy Award nomination for Best Musical Show Album. The media and audiences have praised it.
To celebrate the 10th anniversary of the London production, the show has been rebooted and is embarking on a global limited tour, featuring a rare large cast of 25 actors who will play 126 small and large characters, including 8 London premiere cast members and 17 outstanding actors from the West End. With live musicians and high-level tour production, the moving songs will capture history from multiple storylines and perspectives, singing the song of eternal life. After three years, the show is returning to China for a national tour, and we look forward to seeing this epic masterpiece in theaters once again!
2)主创团体
- 作曲/作词:莫利·耶斯顿(Maury Yeston)
莫利·耶斯顿是一位屡获殊荣的戏剧和电影作曲家、作词家、作家和教师,是戏剧家协会理事会的终身成员,以及创作名人堂、Kleban基金会和Kurt Weill基金会的董事会成员,其凭借音乐剧《泰坦尼克号》(Titanic the Musical)和音乐剧《九》(Nine)成功荣获了两项托尼奖和两项剧评人奖。此外,耶斯顿曾两度获得格莱美奖提名,纽约伊莱恩考夫曼文化中心创意艺术奖年度艺术家称号,Encompass Opera的终身成就奖,以及作曲家和作词家协会名誉大使的荣誉。
- MAURY YESTON (Music & Lyrics)
Maury Yeston is a multi award winning theatre and film composer, lyricist, author and teacher. In addition to winning a Tony Award for Best Score for Titanic (which won another four Tonys including Best Musical), Yeston won a Tony Award and two Drama Desk Awards for his music and lyrics to Nine (based on Fellini’s1963 movie 8½). That production also won four additional Tonys including Best Musical. The Broadway revival of Nine, starring Antonio Banderas, won the Tony Award for Best Musical Revival. Yeston’s contribution to the score for Grand Hotel was nominated for a Tony and two Drama Desk Awards, and the Donmar Warehouse production won an Olivier Award. His score for Phantom has received national and international acclaim. Most recently, he wrote music and lyrics to Death Takes A Holiday (with a book also by Stone and Thomas Meehan), which was nominated for 11 Drama Desk Awards, and the first entirely American full length ballet, Tom Sawyer: A Ballet In Three Acts, which premiered in Kansas City.
Yeston has been twice nominated for a Grammy Award, is a lifetime member of the council of the Dramatists Guild, is on the board of the Songwriters Hall of Fame, The Kleban Foundation and The Kurt Weill Foundation. In 1998, he received The Elaine Kaufman Cultural Center Creative Arts Award in New York as Artist of The Year and was The Encompass Opera’s Lifetime Achievement Honoree in 2009. In 2012, he received the distinction of being named an Honorary Ambassador of The Society of Composers & Lyricists.
-编剧:彼得·斯通(Peter Stone)
彼得·斯通是少有的征服了舞台、电影、电视,包揽奥斯卡奖、托尼奖和艾美奖的作家之一。1962年,他凭借《捍卫者联盟》(The Defenders)获得艾美奖。1965年,他因在《呆鹅爸爸》(Father Goose)中担任编剧而获得了奥斯卡奖。此外,他还凭借音乐剧《泰坦尼克号》(Titanic the Musical)和《小姑居处》(Woman of the Year)两度获得托尼奖最佳音乐剧剧本。
- PETER STONE (Story and Book)
Stone was born in Los Angeles. His mother was a film writer and his father was the writer and producer of many silent films.
Stone is among that rarefied group of writers who have conquered stage, screen, and television by winning an Oscar, a Tony, and an Emmy. In 1965, he won an Oscar for his work as a screenwriter on Father Goose, however it is the Cary Grant and Audrey Hepburn vehicle, Charade, that is probably Stone's best-remembered film. He won Tony Awards for his books for the Broadway musicals Titanic, Woman Of The Year and 1776. He won an Emmy for a 1962 episode of The Defenders.
Shortly after Stone's death, in a memorial ceremony it was observed that the two most famous ships of all time were Noah’s Ark and the Titanic, and that Stone had written Broadway Musicals about both of them.
-导演:汤姆·萨瑟兰(Thom Southerland)
汤姆·萨瑟兰是南安普敦Mayflower剧院和MAST Mayflower Studios的联合艺术总监,曾在英国和国际上执导过多部音乐剧和剧场作品,品以其精湛的舞台设计、音乐表演和剧情叙述而闻名,获得了广泛的赞誉和认可。其代表作品包括:《巡游》获得Off West End最佳导演奖)、《泰坦尼克号》现开启英国与国际巡演,长名单入围晚间标准剧院奖最佳音乐剧、BroadwayWorld UK最佳区域/地区音乐剧奖、WhatsOnStage最佳Off West End制作奖、Off West End最佳音乐剧制作奖)、《大酒店》获得BroadwayWorld UK最佳音乐剧复排奖、Off West End最佳音乐剧制作奖、WhatsOnStage最佳Off West End制作奖)、《我和朱莉叶》获得Off West End最佳导演奖等。
-THOM SOUTHERLAND (Director)
Thom is the Associate Artistic Director of Mayflower Theatre and MAST Mayflower Studios.
Theatre includes: She Loves You (Copenhagen); Angela’s Ashes (Grand Opera House, Belfast & Bord Gais Energy Theatre, Dublin, Irish and UK tours); The Illusionist, The Pajama Game (Umeda Arts, Tokyo); Candide (Bergen National Opera); Harold And Maude, The Woman In White, Death Takes A Holiday, Ragtime - Off West End Award for Best Musical Production, The Mikado (Charing Cross Theatre); Allegro, Grey Gardens - Off West End Award for Best New Musical, Victor/Victoria, Mack And Mabel - Longlisted for Evening Standard Theatre Award for Best Musical, Parade - Longlisted for Evening Standard Theatre Award for Best Musical, nominated for WhatsOnStage Award for Best Musical Revival and Off West End Award for Best Musical Production (Southwark Playhouse); Titanic (UK and international tours, Charing Cross Theatre, Princess of Wales, Toronto, Umeda Arts, Tokyo, Osaka & Southwark Playhouse - Longlisted for the Evening Standard Theatre Award for Best Musical, BroadwayWorld UK Award for Best Fringe/Regional Musical, WhatsOnStage Award for Best Off West End Production, Off West End Award for Best Musical Production); Grand Hotel (Umeda Arts, Tokyo & Southwark Playhouse - BroadwayWorld UK Award for Best Musical Revival, Off West End Awards for Best Musical Production, nominated for WhatsOnStage Award for Best Off West End Production); The Smallest Show On Earth (also co-writer) (Mercury Theatre & UK tour); Peter Pan (US tour); The Grand Tour, Me And Juliet - Off West End Award for Best Director, State Fair (Finborough & Trafalgar Studios).
- 布景与服装设计:大卫·伍德海德
DAVID WOODHEAD(Set & Costume Designer)
- 灯光设计:霍华德·哈德森
HOWARD HUDSON(Lighting Designer)
- 声音设计:安德鲁·约翰逊
ANDREW JOHNSON(Sound Designer)
-舞美设计:克雷西达·卡雷、
CRESSIDA CARRÉ (Musical Staging)
-编舞:马克·阿斯皮纳尔
MARK ASPINALL(Musical Director)
- 新音乐编排:伊恩·温伯格
IAN WEINBERGER (New Musical Arrangements)
-音乐总监:本·帕普沃斯
BEN PAPWORTH (Musical Director)
-副导演:马克斯·林赛
MAX LINDSAY(Associate Director)
- 制作人/总经理/选角导演:丹妮尔·塔伦托
DANIELLE TARENTO (Producer/General Manager/Casting Director)
- 合作方:Anthology 剧院
ANTHOLOGY THEATRE (Co-General Management)
- 认证本来没打算看大船,结果在姐妹的强烈安利下极限收票去看了,结果确实值得。儿童剧资讯认证2023-08-19
一起去看的姐妹觉得这部群像剧角色太多了,每个角色都不是很饱满,但是我觉得这部剧剧情很棒,个人觉得上半场比下半场精彩。
上半场的时候每个人都激情描述着自己对于美好未来的展望,泰坦尼克号是他们新的开始,是她们的光明前程,是所有人的希望。这是些小人物,都有自己的小日子。他们越快乐,作为开着上帝视角已经知道最后悲剧结局的观众,就越觉得悲情。有点乐景衬哀情的意思。
下半场是无力和沉重。曾经被认为是人类新奇迹的泰坦尼克号要沉了,责任相关者相互指责谩骂,老船长开枪自杀,电脑员滴哒滴哒嘀嗒到最后企图收到一点回音,年轻的爱人们被分开了,老夫妇追忆着过去年华相守到最后。最后只剩下七百多个幸存者追悼着那一千多个遇难者。
音乐部分,这部剧的配乐在情绪推动方面做得很好,让我全场都很有沉浸感,一直在起鸡皮疙瘩。特别是开始预告有冰山,船出问题,船长自杀几个地方声音效果真的让我很慌,仿佛在广剧看灾难片,效果好的过分。还有很多齐唱的部分我很喜欢,现场听真的很让我震憾。
总之我觉得挺值得买的,是一次很有意思的看剧体验,观感很好。回复赞 - 新手今天去看了泰坦尼克号,Yeston老师非常优秀。我要写小作文吹彩虹屁了,涉及大量剧透,涉及大量剧透!(虽然我觉得这剧也没啥可透的了,毕竟结局已经注定。)测试账号-iyRlp新手2023-08-23
之前听说大船是一个群戏,所以其实去之前YY过Yeston老师会不会给每组人物写一个主题或者一个动机,然后在该组人物每次出场的时候浮现之类的,事实证明我想多了,不过看完觉得确实不能这么搞。
第一幕基本就是“梦想和它的破灭”。There she is这首曲目非常重要,前四句那个曲调会在第一幕里反反复复出现,我觉得就可以命名“梦想主题”了,它的再现和消失都非常有意思。
第一幕前半程几乎永远会出现这个梦想主题,三等舱三个Kate上船的时候,乐团一直在演奏它,后面二等舱的胖太太和私奔夫妻在谈论头等舱宴会厅的时候,都分别唱了这个主题,不唱纯对话的时候,交响乐团也一直在演奏这个调子。说到底,这两舱乘客的核心关注就是实现梦想和阶级跃迁,他们的对话中这个曲调永远是底色。
另一组总有这个梦想主题伴随的是资本家/船长/设计师三人组,毕竟三个人在泰坦尼克号上都有所托付。第一次三人讨论船到底能开多快的时候就在演奏这个主题,随后每次加速这个主题都会复现,有意思的是在和头等舱用餐时加速这个主题是伴随what a remarkable age this is来的,踌躇志满,意气风发;再次加速时,有两条旋律同时进行,梦想主题下有不和谐的旋律并进;到Andrews说觉得水压有点大资本家还让他加速的时候,这个主题直接被不和谐的一段旋律取代了,而且(如果我没有记错的话)就再也没有出现了。泰坦尼克号永不沉没的传奇之梦,大抵在这儿,就走向破灭的深渊了。
第一幕还有一个令我印象深刻的曲目就是开船的Godspeed Titanic,这曲目后面返场也唱了,很有意思。从sail on歌词开始,每一句走向都和我听歌的预期不一致,比如到open sea我觉得人声应该上去,结果实际却是降调且声音变轻,后面一句又是,而且每句末尾乐团都要奏响与人声不和谐的声音,直到最后一句曲调才真正上去,于是这个看似华丽的开船早就埋伏了不安定,以至于知道注定结局的我听到这首就有点想哭了。尤其是后面还有一首乘客视角的what a remarkable age this is,末尾一句比一句高,热情洋溢地赞颂,毫不费力地上去,对未来一无所知的喜悦乘客呀,真是衬得益发悲伤。
第二幕比第一幕短很多,不知道是不是删减的原因。中场休息的时候,毛老师说,呵,花了一个半小时建立起的人物,剩下半个小时全部推翻死给你看,虐死你!接着又说,头等舱都不配拥有姓名吗?我觉得毛老师非常敏锐,也为我看第二幕提供了很多切入点。
看到第二幕的时候我意识到为什么不能给每组人物一个主题然后分别浮现,一个很重要的原因是沉船时展现人性光辉的当然是生死之际人的选择,而事实上基本上只有头等舱和大船三人组有选择的权力,二三等舱没得选,生与死,都由别人操控。说白了,第一幕里那些二、三等舱的乘客,在第二幕里,失去了故事性,一定需要别的人物和事件来填充。所以第二幕写谁,TA在第一幕里与何时给观众留下什么印象,就变得非常重要,也非常见功力。
第二幕里的选择实际上分为了两类,生死之际为了什么选择哪一侧,以及面对必死的结局如何自处。第一类几乎所有的华彩都给了梅西老板夫妇,事实上他们也基本上是第一幕里“拥有姓名(情节)”的头等舱乘客,他们和Kate与Farrel的求婚段落是穿插进行的,分享了“爱”这一主题。所以第二幕里,他们同样呈现的是“爱”;与之相和的是所有离别的夫妻/情侣人物,这些人在同一个场景里完成对他们结局的讲述。第二类就是大船三人组和基本所有的船员,面对必死的结局如何自处本就是令人感慨的主题,而且人物的形象很快就丰满起来。这里大副和船长那首To Be A Captain的reprise真是神来之笔,一模一样的歌词,隔了一个小时再唱,含义全变了,太悲壮了。
目前想到的就是这么多了~大船真的很值得看呐,以及,Yeston老师的曲子太好听了呜呜呜呜~2回复2赞 - Lv2翘课去的,自然也是期待值极高了。然而本人不能免俗,失去jack and rose的爱情故事,突然觉得有点不知所措,一下就没了关注的焦点。相信有一部分观众和我这种对于历史一窍不通的女大学生一样,一时半会儿抓不住这部剧的“肉身”了。然而演员的唱功确实让人渐入佳境,雅俗共赏的配乐也给了观众慢慢理解这部剧的一个契机。没有特定主角的历史叙事仿佛全景画卷,台词也颇有哲学意味。阶级,梦想,人性,永恒的爱,几乎所有值得每个人思考良久的话题,都被展现出来,因此也让人觉得目不暇接,包袱有些过于沉重。但慢慢回味,虽然没有令人印象深刻的男女主角,可历史不正是如此吗。以一个旁观者的角度去回顾往事,我们无法置身其中,参与感自然比较弱,而这也正是这部剧的威严所在,犹如一幅泛黄的画卷,一眼望去,点睛之笔无迹可寻,定睛再看,每一个人物都是那样的真实。而我们也是这千万人中的一份子,被置于宏大的背景中,并没有亮点,却有各自存在的意义。用户159****6743-9SM65Lv22023-08-23回复2赞